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[News] PIW 1 September 2010



PIW 1 September 2010

This issue of PIW brings together Dutch and Australian poetry which looks at notions of travel, home and exile. Drifters and loners populate the selection of poems by early-twentieth-century Dutch poet J. Slauerhoff, from retired fado singers in colonial Mozambique to lonely sailors re-reading letters while at sea. Whereas J. Slauerhoff’s work embraces the limbo of homelessness and displacement, Australian Peter Skrzynecki’s poetry is one of deep engagement with the Australian landscape, as a place of both exile and home. 

Read the current issue of PIW at  www.poetryinternationalweb.org



Poem of the Week

António Gamoneda



Clip of the Month

Nyk de Vries



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DarkPoetry Poem of the Day: Unholy Haunts

Shades of life en-hued with death,
Places where we wish to rest,
Traces of what cannot be,
Remnants linger of deep regrets,
Traded words 'tween you and me,

the failure of humanity…

we wrote our vows
behind breathless eyes
our swollen lips
savored our promises

of sweat-bound moans...

while drying our brows
on handed-down pillows

we whispered our vows
in handed-down
words

and fell into their
familiar warmth:
embracing
our own empty
bed

and 'faith' failed
to form trust…

'sacrifice' cowered
somewhere behind us…

and 'co(m)promise'
occurred when our
tongues met

we prayed in each other's
arms,
sliding our words
around our mouths,
slipping them along
our thighs,
allowing them
to moisten our skin
and press hot
against our chests
god
throbbing
within

bathed in passion
we tasted our vows
under our sweat
like crown
beneath coke
like fear
beneath laughter
like lust
below
love

'co-mittere'
never sent forth
for us

our future died
within the hollow
confines
of a withered,
provided
past

that crawled over
our minty teeth
and dropped between
our damp sheets
like
a rotten fruit
thrown to the
ground

a decaying gift
babbling
unholy haunts:
traces of erasures,
absent echoes
restless places
hallowed out
words:

till death do us part


http://www.darkpoetry.com/node/work/83553
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Your Poem for September 2 2010

Your Daily Poem logo

From yesteryear's barn raisings to today's high-tech raves, there's nothing like dancing to free one's mind from the weight of everyday burdens. Poodle skirt or plain white shirt, gussying up to "cut a rug" has saved the sanity of generation after generation of working stiffs. Charles captures both the mundane and the magic in his portrait of a typical night at Sue's Dance Hall.

Today's poem is
 "Milwaukee's First Dance
 by
Charles P. Ries
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FUNNY OF THE WEEK:

======================================

"An aged farmer and his wife were leaning against the edge
of their pig-pen when the old woman wistfully recalled that
the next week would mark their golden wedding anniversary.
'Let's have a party, Homer,' she suggested. 'Let's kill a
pig.'

"The farmer scratched his grizzled head. 'Gee, Ethel,' he
finally answered, 'I don't see why the pig should take the
blame for something that happened fifty years ago.'"

======================================

FUNNY THOUGHT OF THE WEEK:

======================================

How a woman can take hot boiling wax, pour it on very
tender parts of her body, rip the hair out by the
roots...........but is still afraid of a darn little
spider!

========================================

FUNNY (SHORT POEM) OF THE WEEK:
Copyright; Zach Baldwin

I'm not allowed to run the train
The whistle I can't blow
I'm not allowed to say how fast
The railroad train can go
I'm not allowed to shoot off steam
Nor can I clang the bell
But let the dammed train jump the track
And see who catches hell!

========================================

FUNNY POEM OF THE WEEK

A modern day fairy tale.

========================================

CINDERELLA
Copyright; Rod Gibson

The clairvoyant said the two ugly step sisters
would both win the heart of The Prince
charged them a hundred each
for separate readings,
hoped they wouldn't talk to each other,
and hasn't been seen since.

On the night of the ball
Martha and Mabel's auras shone like moons,
magic crystals dangling to their knees,
their chakras highly tuned,
drove there in a limo
uttering positive affirmations,
stopped off for quick Kombucha teas
and colonic irrigations,
had hasty herbal infusions
before entering the ball,
then, to avoid confusion,
gave the therapist a call.

Cindy, on the other hand,
was so cool, like most poor girls,
drank milk to line her stomach
and wore her mother's pearls,
climbed in through the window
and blew a joint with the band,
then did a real bluesy one,
for which she received a huge hand.
Then exited just before midnight,
leaving her number in her slipper,
walked home, gutted the wine cask,
and watched old re-runs of "Flipper".

Next morning came a letter
in a style which made her wince –
"Cindy, I love you, call me"
…The Prince.

Copyright; Rod Gibson
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======================================

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[Poetry Chaikhana] Yoka Genkaku (Yongjia Xuanjue) - [25] Just take hold of the source (from The Shodoka)

Here's your Daily Poem from the Poetry Chaikhana --

 

[25] Just take hold of the source (from The Shodoka)

By Yoka Genkaku (Yongjia Xuanjue)
(665 - 713)

English version by Robert Aitken

 

Just take hold of the source
And never mind the branches.
It is like a treasure-moon
Enclosed in a beautiful emerald.
Now I understand this Mani-jewel
And my gain is the gain of everyone endlessly.

 


/ Photo by Ivan_M_Granger /

============

Thought for the Day:

What is there
but Self
experiencing Self?

============

Here's your Daily Music selection --


Angel Tears

The Way of the Mystic (Vol 1)

Listen - Purchase

More Music Selections

 

Hi Omss -

The Shodoka is a beautiful collection of enlightenment and wisdom poems. Although it is known primarily in the West through the influence of Japanese Zen practice, it actually is a seventh century Chinese composition. In Japanese, it is known as the Shodoka, composed by Yoka Genkaku; in Chinese, it is called the Cheng Tao Ko, by Yongjia Xuanjue.

--

Just take hold of the source
And never mind the branches.


I love those lines! They express the essentialism of Zen so well. We are reminded not to dally about with the endless manifestations of the mind and its experiences -- even 'spiritual' experiences.

We are given the image of a tree or, at least, the image is hinted at with the mention of branches. Picture a tree for a moment, an ancient tree with a strong trunk. This is the tree of pure awareness. And from that trunk emerges countless branches, the branches of mind and experience. The trunk is the central structure, the source, the foundation of reality, while the branches are the many phenomena that emerge. Each branch is the perception of an experience, an object, a sensation, an encounter, an event. Most people hover at the outer reaches of the tree, and they only ever know the touch of its branches. Its easy to spend entire lifetimes there fascinated by the play of light upon the leaves, endlessly seeking the sweet fruit that grows there, imagining each branch to be its own separate, unrelated experience. And there is always one more branch to explore. There is always one more experience to be had.

But if we really want to know the nature of this tree that is everything to us, all of our reality, then we must find a sturdy branch and trace its route to the central trunk. We follow the pathways of the mind to the core of still awareness from which mind emerges. Only then do we see what it is that the branches express. Only then do we understand the nature of experiences, mind, and awareness. Only then do we know ourselves and our true relationship to the world we experience.

When Yoka Genkaku proclaims that "my gain is the gain of everyone endlessly," he is reaffirming what mystics all over the world have asserted, that, in that moment of pure awareness, all conflicts, all opposites, all disharmonies, even past and future, are fully resolved within the individual. For those who, through compassion, wish to bring healing to the world, the way to do this is to first bring the world to resolution within oneself, and then all actions naturally lead toward establishing that truth externally. Or, more accurately, all of the world is found to be within oneself. When the world is resolved within, the mind ceases to project false images of the world that appear to be external to the individual. Resolving the world within, brings "gain" to oneself and automatically brings "gain" to everyone eternally since everything emanates from that single point of resolution and there is nothing truly external.

And my gain is the gain of everyone endlessly.

(PS- That photo of the boy in the tree... that's me in the early 1970s.)

Ivan

 

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